A porcelain figure of "perdrix" bird .

Spectrum mark on the reverse.

GERMANY, Berlin, circa 1766/1767,

18th century.

Heigh: 16,3 cm.

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4 "bouillard" cups and 4 saucers in soft Chantilly porcelain, decorated with bindilles in blue shades. Marked with hunting horn in blue. 18th century.

FRANCE, Chantilly.

Cup height: 6.7-7.4cm; diameter of the saucers: from 12.2 to 12.8 cm.


Plate with lobed edge in soft porcelain of Chantilly, with polychrome decoration in the center of a small bunch of roses surrounded by a flowery garland. On the wing, garland of roses maintained by bows. Marked with a hunting horn and painter's mark in blue.
FRANCE, Chantilly, 18th century.

Diameter: 24,5 cm.

A pair of plates in porcelain  with decoration in the center of the weapons of " of Knyff " *.
CHINA, Qianlong period (1736-1795), circa 1740. 18th century. Diameter: 24 cm.

*The first purchaser was probably Jacques-Gérard Knyff, born in Antwerp on March 31, 1681, burgomaster of this city in 1711 and 1712 then from 1722 to 1724. He was done knight of the Holy Empire and was authorized to precede his name with the particle "de" by letters patent of the emperor Charles VI, on September 1, 1719. After the death of his wife Maria-Agnès Verbiest, whom he married on March 23, 1703 and who died on May 23, 1724, he entered the orders and was graduated canon of the cathedral of Antwerp. He died on July 1, 1756.

Cf. H. Maertens de Noordhout, Porcelaines chinoises décorées d'armoiries belges, Bruxelles 1997, pp. 100 et 101.

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Chinese porcelain plate with a Compagnie des Indes decoration in grisaille in the center of a gentleman holding his rifle in his hand, his dog at his side. In the distance a pavilion surrounded by trees. Wing decorated with four motifs of gold and iron red flowers and blue scrolls. Border of leaves, flowers and gold scrolls. Inscription on the marli in a band "PETRUS DE WOLFF PETR FIL".
CHINA, Qianlong period (1736-1795), circa 1740. D. 23,2 cm. Pieces glued back (3 or 4) on the wing. Provenance : private collection, France.
Cf. William R. Sargent, Treasure of Chinese export ceramics from the Peabody Essex Museum, n°179 P. 336 and 337, ed.du musée 2012.
*Classified by Hervouët as "exceptional, remarkable from every point of view, and only a few examples are known in the world.
Traditionally, this plate's central design is called "Peter and the Wolf" and the motif is, in fact, taken from an engraving by the German engraver and cartographer Pieter Schenk (1660-1718), who included the title "Petrus de Wolff Petr. Fil" ont his print. Schenk adapted his imagefrom a mezzotint by John Smith (1652-1743) published in the London Gazette of August 19-23, 1686. In turn, Smith's print is a reverse image after William Wissing's 1686 portrait of the 12-year-old John Cecil, 6th earl of Exeter, later Lord Burghley (1674-1721) of Burghley House. A Dutch portrait artist who studied under Sir Peter Lely (1618-80), Wissing (1656-87)painted portraits of many members of the English court and died at Burghley House. The print's title is included below the figure in the marli on the Museum's plate thus confirmong the original print source used. Additionally, Schenk incorporated a neaclassical building and changed the figure's hairstyle, and both these elements appear on the plate but not in other versions of this image.


Porcelain plate with gray and gold decoration representing a scene of "Geese brother Philip" (La Fontaine tale inspired by a story by Boccaccio): a monk and a young man with two beautiful young women, one holding a parasol. On the edge four cartouche decorated with landscapes and bird reserves.
CHINA. Qianlong Period (1736-1795) middle of 18th century. Diameter: 22.5 cm.
The scene is made from an engraving of Nicolas Larmessin II (1684-1755) after a painting by Nicolas Lancret.

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Two porcelain plates with Imari decoration in the center of two women with parasol and on the wing of reserves standing out on a background of scales, after Cornelus Pronk.
Early Qianlong period (1736-1795) between 1736 and 1738. Diameter : 23,8 cm.
See Louis Mezin, Cargaisons de Chine, Porcelaines de la Compagnie des Indes du Musée de Lorient (2002) N°104, p.128.


A Chinese porcelain fountain with Green

Family decoration.
CHINA, Kangxi Period (1662-1722).
18th century
Height: 41 cm.


Rectangular dish in porcelain polychrome decoration with the center of the coat of arms of the Carr Franke family.

CHINA, Qianlong period (1736-1795), circa1770. 18th century.

Length: 33 cm.

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Chinese porcelain plate with polychrome decoration in Pink Family enamels in the center of Mandarin ducks and lotuses symbolizing an auspicious vow of fidelity when presented together, the wing decorated with the eight Taoist immortals*.
Period Qianlong (1736-1795), 18th century. CHINA.
Diameter : 22,5 cm.
*The Eight Immortals: These are eight deities (Jiu Zhong Ba Xian) who accompany the gods. They are men and women who have, during their exemplary lives, acquired great wisdom and immortality. They combine their strengths and weaknesses to become one, overcome impossible obstacles and reach their goal.

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Chinese porcelain plate, decorated with enamels of the Rose family of a lake and mountainous landscape with a fortified village near the bank animated by many characters in the center in a large leaf-shaped cartouche, the wing decorated with a monogram.
Qianlong period (1736-1795), 18th century. CHINA.
Diameter: 22.7 cm.
The scene would represent the "courage" river in Canton, where the boats of the various Western companies could dock, the flags symbolizing the concessions along the river.

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A Chinese Green Family porcelain terrine or vegetable dish of round shape with polychrome and gold decoration of flowering branches, birds and leaves.
CHINA, Kangxi period 1(662-1722). 18th century.
Diameter : 24 cm ; Height : 19,5 cm.

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Group of laughing children also called "HoHo Erxian*" in green, yellow and manganese enamelled Chinese porcelain cookie.
CHINA, Kangxi period (1662-1722). Second half of the 17th century. Height: 15 cm.
* The HoHo twins are heralds of good fortune and also protectors of marriage, they represent harmony and union.



A pair of Famille Verte octagonal jar in China porcelain with a polychrome decoration, each facet with flowers, birds, animals, and furniture, Buddhist and precious emblems.

CHINA Kangxi period (1662-1722).

18th century.

Height: 42.5 cm; Diameter: 26 cm.

Cf. Similar form in R.L. Hobson, Catalogue of Leonard Gow Collection of Chinese Porcelain, 1931, n°145 plate XXX.

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Pair of Japanese porcelain "Shishi" representing fabulous lions, sitting on a rectangular base, the head three - quarter face, a bell around the neck, a leg resting on a Tama (ball). Polychrome decoration of enamels on glaze in Kakiemon style with dominant blue and yellow for the lions, red and green for the balls.

JAPAN, Arita, Edo period, Genroku era (1688-1704), circa 1670-1690, late 17th century.

Base surrounded by an ormolu mount probably French from the first half of the 18th century. Height: 18,5 cm; Length: 15 cm.

Reproduced in the book Le goût pour les porcelaines de Chine et du Japon à Paris aux XVIIe et XVIIIe siècles, by Stéphane Castelluccio, page 108 Fig. 91, Editions Monelle Hayot. A similar model in the collection of the Victoria & Albert Museum, n°C.7 1955,

in the Drayton House collection illustrated in M. Hinton and I. Impey, Kakiemon Flowers of Fire, pl. 24, in the Ashmolean Museum, Oxford, O. Impey, Japanese Expert Porcelain, Amsterdam, Hotei Publishing, 2002, pl. 185 ...


Porcelain bowl with a polychrome design of village scenes in multiple foil, brown lined cartouches, standing-out on a purple background with flowered branches.
Gold line on the border, decorated inside with a lakeside scene in a medallion formed inside a double red filet.
Marked with blue swords
GERMANY, Meissen, Saxony, circa 1745.
Diameter : 15 cm

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Set of six porcelain birds with polychrome decoration naturally representing Swallow, Wagtail, Wagtail, Tit, Goldfinch and Robin.
GERMANY, Meissen, Saxony,
circa 1745-1750. 18th century.
Heights from 9 to 14 cm.


A porcelain chardonneret bird .
Model by J.J Kandler,

GERMANY, Meissen, Saxony, circa1748,

18th century.
Heigh: 13 cm.


Porcelain group representing a hunting scene ; three dogs surrounded by a wild bull.
Model of Johan Joachim Kaendler, blue marked two crossed swords.
GERMANY, Meissen, Saxony. Circa 1745.
Length: 16 cm.


A porcelain group of boy with leopard. Crossed swords mark in underglaze-blue.
Model by J.F. Eberlein,

GERMANY, Meissen, Saxony. Circa 1750.
Height: 9 cm.


A pair porcelain figurines representing a man with a dog and a woman with a sheep.

Model of J.J Kaendler,

GERMANY, Meissen, Saxony, circa 1755.

Height: 24,8 and 24,3 cm.

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Two Figures of Young Ladies Playing Instruments, Circa 1755-60. They are seated with their instruments, zithare and bagpipe, wearing dresses with flowers. The base applied with leaves, flowers and rocailles. Faint traces of crossed swords mark in blue. Modelled by J.J. Kaendler after drawing of Boucher.  GERMANY, Meissen,Saxony. Circa 1755-60. 18th century. Height : 11 and 11.5 cm.

These figures come from a group, a band.

Other examples kept at the Cognacq-Jay Museum, Paris.

Cf. Andraina d’Agliano, European Porcelain from the Zerilli-Morimo Collection. Milan 2014.


Model by P.Reinicke,

Two Meissen Blackamoor Figures representing a man and a woman, wearing Turkish clothes, the bases applied with leaves and flowers. Crossed swords mark in underglaze-blue to the rear of the base to him, faint traces of crossed swords mark in blue to her.

GERMANY, Meissen, Saxony. Circa1748, 18th century.

Height : 13 and 14 cm ; Diameter : 4 and 5 cm.

Cf. Yvonne Adams, Meissen Figures, Schiffer publishing Ltd 2001, page 196 n° 522.

Porcelain figure of Harlequin playing bagpipes.

Blue crossed swords mark at the reverse, the model by J. J. Kändler.

GERMANY, Meissen, Saxony. Circa 1740,

18th century.
Height: 14 cm.

Porcelain figure of Pantalone from the Duke of Weissenfels series.

Blue crossed swords mark at back, the model by J.J. Kändler and P. Reinicke.

GERMANY, Meissen, Saxony. Circa 1743

18th century.
Height. 13,3 cm


Meissen porcelain figure of The Squire of Alsatia, Street traders of London. Model by J.J. Kaendler and P. Reinicke circa 1754. Sword-mark in blue on the plinth, scratch-mark “9” under the plinth.

GERMANY, Meissen, Saxony. 18th century.

Height: 14,4 cm or 5,6 po ; Diameter: 8,3 cm or 3,2 po

Based on engravings by Pierce Tempest after Marcellus Laroon the Elder (London 1711).

The Squire of Alsatia : Overlord or Godfather of a thieves and miscreants area of London, named after Alsace which had been a troublesome area of Europe. Alsatia was in the Whitefriars district of London, near Fleet Street, and had retained privileges derived from being a converted sanctuary until 1697. It was the haunt of debtors and lawbreakers.

Comment: Yvonne Adams, Meissen Figures 1730-1775 The Kaendler Years, Schiffer Publishing Ltd, USA 2001, page 44.


Meissen porcelain jug with polychrome landscapes.
GERMANY, Meissen, Saxony.

18th century, around 1740/45.
Height: 21,5 cm.

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Meissen porcelain bowl with polychrome and gold decoration of animated landscapes in reserves surrounded by garlands of gold scrolls on a brown background known as "Böttger's lustre" and scrolls, alternated with flowering branches known as flowers of India. Wide band and gold garland on the edge.
Mark with crossed swords in blue.
GERMANY, Saxony, Meissen. 

Circa 1750. 18th century. Diameter: 15,1 cm.

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Pair of statuettes of pugs in Meissen porcelain with polychrome and gold decoration. The dogs, male and female with a puppy, wear a collar decorated with bells and a bow, they rest on an oval terrace decorated with flowers and leaves in relief.

Model by Kandler and Reinicke, circa 1745. Marked with crossed swords in blue.

GERMANY, Saxony, Meissen,18th century. H. 14 and 14,5 cm.

The two tails of the dogs are glued back together, the blue bow is missing, and the flowers and leaves on the terrace have been restored. These dogs are very popular in the 18th century, especially since it has a particular symbolism in the Germanic world. Indeed, pug is translated by "moops" in German, a term that also refers to the mixed lodge of Mopses, created in 1738, in imitation of the Freemason lodges whose practices it imitated.

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Meissen porcelain group representing the Chinese family after François Boucher's "Délices de l'enfance". A seated Chinese woman with a green cloak, holds a child on her left knee, the other child stands beside her. Model P. Reinicke, circa 1750, 18th century.

GERMANY, Saxony, Meissen. Diameter: 8,5 cm ; Height : 14,5 cm. A restored hand of the child with the grey coat, the mother's head glued back, some chips taken back.
See similar models, Yvonne Adams, Meissen Figures 1730-1755 The Kaendler Period, Schiffer Publishing Ltd, 2001, p.176 n°475 and 476.


Two pots covered with polychrome decoration in porcelain (soft past) large bouquets of flowers.
Mark D.V. for Duc de Villeroy.
FRANCE, Mennecy. 18th century.
Heigth : 16 cm

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Small seal to refresh in Saint-Cloud porcelain with relief decoration of "pierced rock" and chrysanthemum flowers, taken in the shape of mascarons, gadroons at the base and on the edge. Despite its irregular shape, the object has not been scrapped and passed through the centuries.
Marked T / SC / T. Circa1730, 18th century.
FRANCE, Saint-Cloud. H. 13 cm; Diam. 13 cm.
Cf. Identical piece at the Museum of Decorative Arts, Paris.

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Rectangular tray named tray drawer in soft porcelain of Sevres with gold decoration representing a fable of La Fontaine "the crow and the fox" on a terrace decorated with foliage on a lapis blue background, the edge underlined by motives of trellis and rocaille scrolls in gold
Circa1758, 18th century. FRANCE, Sèvres. Dimensions : 12,6 x 17,7 cm.
A slight chip taken on the gold net of the edge, some visible wear of gold.

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A pair of figure of « Le Batteur en grange » and « La Batteuse de beurre » circa 1757. Modelled as a young man holding a flail in his right hand, his left on a tree-stump, a flagon on the ground at his feet on a square base. Incised F for Falconet, director of the workshop of sculptures (1757-1766). Modelled by Suzanne, after Boucher, in 1757. Modelled as a dairymaid standing driving a butter-churn at her side, a pan of butter on the ground before her, on a square base. Incised F for Falconet, director of the workshop of sculptures (1757-1766). Modelled by J-B Defernex, after G. Allegrain, after F. Boucher. Order executed for the dairy of Crécy, domain of Mrs de Pompadour.

FRANCE, Sèvres. 18th century. Heigher : 21.5 and 21 cm.

Cf. Emile Bourgeois, fig.102 and fig. 103, Ruth Berges, New-York, 1967, pl. 247 and 248, Svend Eriksen, French Porcelain, Copenhague, 1980, n°65 for “Le Batteur en grange”, La Manufacture des Lumières by Tamara Préaud and Guilhem Scherf, Editions Faton 2015, p.97 ; Falconet à Sèvres ou l’art de plaire, Musée national de Céramique, Sèvres, RMN Paris 2001, p 112 for « la Batteuse de beurre ».

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Covered round bouillon bowl and its oval display in soft porcelain with a celestial blue background decorated with landscapes of animated architecture of characters treated in polychrome in reserves enhanced with gilding.  Branch-shaped sockets and double twisted handle.
Mark with two intertwined L's without a date letter, mark of painter Jean Bonchet active from 1757 to 1793, gilder Vandé Père 1753-79.
FRANCE, Sèvres. 18th century, circa 1760/1765.
Display Length : 18,3 cm; Width : 14,2 cm; Height : 10 cm.

Diameter : 9,4 cm.
Provenance: Maison Nicolier, 7 quai Voltaire Paris, Collection Janine Saladin.


Figure of an "La mangeuse de Bouillie" modelled in bicuit in soft past by Suzanne after model of Boucher.

"LR16" For Le Riche under the base.

FRANCE, Sèvres. Circa 1780 / 1785. 18th century.

Height: 19 cm.


Figure of an "Trempeur de mouillettes" modelled in bicuit in soft past by Suzanne after model of Boucher.

"LR16" For Le Riche under the base.

FRANCE, Sèvres. Circa 1780 / 1785.

18th century. Height: 20 ,5 cm.

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Round ecuelle and its circular tray in soft porcelain of Sevres with polychrome decoration of garlands of flowers and blue and gold braid.

Marked: letter date DD for 1781, mark of painter J.J. Sioux and gilder Chauvaux.  Length: 21 cm.

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Square tray (first size) in soft porcelain of Sevres, with polychrome and gold decoration in the center of a crown of flowers, blue net crossed out in gold, the edge openwork in the shape of waves and flowers underlined by blue monochrome, gold net on the edge.
Mark in blue with two interlaced L, letter date G for 1760, mark of painter for Thévenet father. FRANCE, Sèvres. Dim. 15,5 x 15,5 cm.
An element of the openworked edge stuck back, tiny chip in a corner taken again.

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Statuette in soft porcelain of Sevres representing the pig merchant of the series of the New Boucher children under the direction of Falconet about 1760-1768.
18th century. FRANCE, Sèvres. H. 22 cm.
Cf. T. Préaud and G. Scherf, La manufacture des lumières, la sculpture à Sèvres de Louis XV à la révolution, p.303, fragment of the terracotta model, ed. Faton, Dijon 2015.

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Ecuelle à bouillon and its round tray (3rd size) in soft porcelain of Sevres with polychrome and gold decoration of a frieze of cassolettes and garlands of suspended flowers interspersed, between a gold net and a braid of white and gold pearls, gold net on the edge. Marks in blue with the two interlaced L, letter date R for 1770, mark of painter Micaud father. Around 1770, 18th century. FRANCE, Sevres.
Diameter of the tray : 19,5 cm ; Width of the bowl : 16,5 cm.
The decoration is similar to the "small vases and garlands" service of Madame Du Barry. This service was used for the inaugural dinner given by Madame Du Barry in her Pavillon Neuf de Louveciennes, built by Charles-Nicolas Ledoux, on September 2, 1771 with the court (Cf. « Les Grands Services de Sèvres, catalogue d’exposition, grand-Palais, Paris 1951, pp.30 et 31, n°5).
The service with "Small vases and garlands" thus indicated in the files of the manufacture, is ordered in 1770 and delivered on August 29, 1771. This service of 322 pieces presents one of the first decorations of neoclassic inspiration of the manufacture, composed of blue cassolettes, connected by polychrome garlands of flowers (Cf. "A Table ! Le repas tout un art", exhibition catalog, Sèvres Manufacture and National Museum, 2020 Gourcuff Gradenigo, page 126).

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Porcelain biscuit group representing "Grape eaters" after François Boucher.
FRANCE, Vincennes, circa 1752-55.
18th century.
Height : 23,5 cm; Length : 24,5 cm.

For a similar model see by Emile Bourgeois, "Les Biscuits de Sèvres" pl.1 n°313. By Adrian Sassoon, "Vincennes and Sèvres Porcelain, Catalogue of the collections (J.Paul Getty Museum), Malibu, 1991, p.29-35. And for illustrations of the terra cotta model and one in cookie, see Tamara Préaud and Guilhem Scherf, "La Manufacture des Lumières, la sculpture à Sèvres de Louis XV à la Révolution, Dijon, 2015, pp.50, 196,198 and 298.